Sandro Botticelli
Sandro Botticelli's Oil Paintings
Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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Here are all the paintings of WERFF, Adriaen van der 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
7199 Children Playing before a Hercules Group WERFF, Adriaen van der Children Playing before a Hercules Group 1687 Oil on panel, 46,8 x 35 cm Alte Pinakothek, Munich
7200 Holy Family WERFF, Adriaen van der Holy Family 1714 Oil on panel, 36 x 29 cm Amstelkring Museum, Amsterdam
7201 Johann Wilhelm, Elector Palatine of Pfalz WERFF, Adriaen van der Johann Wilhelm, Elector Palatine of Pfalz 1700 Oil on canvas, 76 x 54 cm Staatsgalerie, Schleissheim
7202 Maria Anna Loisia de Medici WERFF, Adriaen van der Maria Anna Loisia de Medici 1700 Oil on canvas 77 x 53 cm Staatsgalerie, Schleissheim
43629 Maria Anna Loisia de-Medici WERFF, Adriaen van der Maria Anna Loisia de-Medici 1700 Oil on canvas 77 x 53 cm
7203 Sarah Presenting Hagar to Abraham WERFF, Adriaen van der Sarah Presenting Hagar to Abraham 1699 Oil on canvas, 76,3 x 61 cm Staatsgalerie, Schleissheim
7204 Scene with Shepherd WERFF, Adriaen van der Scene with Shepherd 1689 Oil on oak, 58,5 x 47,5 cm Gemäldegalerie, Dresden

WERFF, Adriaen van der
Dutch Baroque Era Painter, 1659-1722 Dutch painter and draughtsman. He was apprenticed to the portrait painter Cornelis Picolet (1626-79) from 1668 to 1670 and then from c.1671 to 1676 to Eglon van der Neer in Rotterdam. From 1676 van der Werff produced small portraits and genre paintings as an independent master; the Cook and Hunter at a Window (1678; New York, priv. col.; see Gaethgens, no. 2) and Man and Woman Seated at a Table (1678; St Petersburg, Hermitage) perpetuate the thematic and stylistic traditions of Gerrit Dou, Gabriel Metsu, Frans van Mieris and Gerard ter Borch (ii) but are distinguished by their greater elegance and richness of costume and interior. Van der Werff's portraits date mainly from the years 1680-95 (e.g. Two Children with a Guinea-pig and a Kitten (1681; London, Buckingham Pal., Royal Col.)). The motif of children with animals recalls van der Neer, while the careful depiction of fabrics recalls the Leiden school of 'Fine' painters. His Portrait of a Man in a Quilted Gown (1685; London, N.G.) resembles compositions by Caspar Netscher and Nicolaes Maes: a figure leaning against a balustrade, before a landscape. Van der Werff's work is, however, more elegant, in part because of the depiction of fabrics, but also because of the inclusion for the first time of Classical sculpture, in this case the Farnese Flora
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